Image: Photography by W. Eugene Smith, Life Magazine, 1951
Smith College Museum of Art
- 体 Modern Images of the Body from East Asia
- Talk Back Space
- Video and New Media Gallery: "Bodies on Screen"
- To trace for to carry
- Upcoming
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Past Exhibitions
- A Dangerous Woman: The Art of Honoré Sharrer
- Japanese Lacquer In The Collection Of Dr. Elizabeth E. Force
- About Face: People, Animals, and Mythical Beings in Islamic Art
- A History of Handwork: Photographs from the SCMA Collection
- Leisure and Luxury in the Age of Nero: The Villas of Oplontis near Pompeii
- Words and Images in Chinese Culture
- The Hilary Tolman, class of 1987, Collection of Twentieth-Century Japanese Prints
- When in Rome: Prints & Photographs, 1550–1900
- Eric Avery: AIDS WORK
- The Lay of the Land
- Käthe Kollwitz’s Women and War
- Dislocation/Urban Experience
- MARY BAUERMEISTER The New York Decade
- Figure and Image
- Tara Donovan MOIRÉ
- Bow Down
- Framework X
- Art Stories
- Framework IX
- River of Gold
- Look at Me, Me, Me!
- Eye on the Street
- Summer of Love
- Collecting Art of Asia
- Less is More: The Minimal Print
- Monsters
- Color and Heat: Pan-American works from the AGPA collection
- Drawn to Excellence
- Un/American
- Dislocation/Negotiating Identity
- Frameworks VIII
- Image and After-Image
- outside the [box]
- Shared Inspiration
- Debussy's Paris: Art, Music, & Sounds of the City
- Susan Heideman: Animalmineralvegetable
- Pursuing Beauty
- Andrea Fraser Acquisition
- Jerome Liebling
- Crosscurrents: Art of the Southeastern Congo
- Transcending Boundaries
- Women's Work
- The Eye is a Door
- L.A. Style: Printmaking at Gemini G.E.L., 1966–1976
- Framework VII: Restoring the Boundaries
- Roman Signer New Acquisition
- Surface Tension
- Portraits of the Almost-Human
- Tim Davis: Upstate New York Olympics (2010–11)
- FLOWERING STARS: Prints by Dwight Pogue
- This Could be Us, You, or Anybody Else
- Susan Hiller: The Last Silent Movie
- Whitfield Lovell
- 2009-2010
- 2007–2008
- 2005–2006
- 2004
- 2003
- 2000–2002