Now everyone is an insider!
In order to provide an open forum for ALL of the museum’s collection and activities, the Paper + People blog is being renamed SCMA Insider. With its expanded focus, SCMA Insider will act as a go-to place for sharing information on the diverse collections and many voices and visions that shape SCMA.
If you want to contribute to the blog, please contact the Brown Post-Baccalaureate Curatorial Fellow, Shanice Bailey, at firstname.lastname@example.org.
Thursday, October 10, 2013
Student Picksis a SCMA program in which Smith students organize their own one-day art show using our collection of works on paper. This month’s student curator and guest blogger Mina Zahin ‘15 discusses her show “Brahma Vihara: The Sublime States” which will be on view TOMORROW, Friday, October 11 from 12-4 PM in the Cunningham Center for the Study of Prints, Drawings, and Photographs. We hope to see you here!
Peter Max. German, 1937 - . Prana,1967. Photo lithograph in color on paper. Purchased. Photography by Petegorsky/Gipe. SC 2011:38-93.
Brahma Vihara is a show inspired by a series of four Buddhist virtues and the meditative practices that cultivate them. Making and viewing art can be meditative and create a sublime and euphoric feeling. These artworks invoked those feelings in me. There is something mystical about these pieces and the way your eyes move from one artwork to the other, bringing fluidity to the visual experience.
W. Dayle. American, 20th century. Untitled (seated Buddha),before 1968. Screenprint in green and red on black paper. Purchased. Photography by Petegorsky/Gipe. SC 2011:38-135.
Thursday, October 3, 2013
“[These photographs] are about my inner connections. I’m bringing my whole life to bear on that split second… These pictures are signs that you came to consciousness for a brief second in the flow of your life, which is so overloaded with stimuli that it can drive you away from concentration.” - Joel Meyerowitz
In the early 1960s, Joel Meyerowitz suddenly gave up his career as an advertising art director to take photographs on the New York City streets. While at first Meyerowitz shot both black and white and color film, in 1972 he made the unconventional decision to devote himself exclusively to color photography. Recognizing its unique capability to convey the experience of perceived light, Meyerowitz would become a persistent advocate for and master of color photography, which was most often associated with advertising until the 1970s.
This bold new direction led Meyerowitz to spend the summers of 1976 and 1977 in Provincetown, MA, where he created his first innovative color series, Cape Light. Working in a slow-paced environment allowed Meyerowitz to retire his hand-held 35mm camera in favor of a large-format camera and tripod which is more stable and suitable for shooting with sensitive color film. The novel and transformative experience of photographing his quiet, peaceful surroundings drastically altered the character of his subsequent urban street photography. Meyerowitz abandoned his prior active and “gestural” approach, in which he created images full of people and motion, and instead made subtle and contemplative studies of natural light in urban landscapes.
In his series St. Louis and the Arch (1977) and Empire State (1978), Meyerowitz proves that beauty can even be found in such mundane places as a parking garage or loading dock. He presents these overlooked city scenes with a keen eye for the expressive nuances of light and shadow, yet Meyerowitz retains what he calls the “street wit” of his earlier work. For instance, the iconic Empire State Building appears in every Empire State series photograph, yet the tallest building in New York is so overshadowed by the arresting beauty the rest of the scene that it may go completely unnoticed. Meyerowitz’s photographs teach us to look slowly, carefully, and deeply at our surroundings in order to make a connection with a particular place or moment in time, as he does in his work: “It may be the slant of the light, it may even be a smell, something not visible; you may feel yourself rooted to the spot where suddenly there’s a smell of salt water mixed with roses, and it’s got your number. At that moment you know, ‘I’m alive. Here, now.’”
These and other photographs by Joel Meyerowitz, Garry Winogrand,and Danny Lyonare currently on view in Eye on the Street: Trends in 1960s and 1970s Photographyat SCMA until October 6, 2013. Catch Eye on the Street before it closes this weekend!
Thursday, September 26, 2013
The Student Picks Sweepstakesended last Friday, and we’ve found our six winners!
Student Picks gives students the chance to curate their own one-day exhibitions of works on paper in the Cunningham Center for Prints, Drawings and Photographs.Six lucky students are chosen by lottery as part of a campus-wide sweepstakes that takes place each September.
This year, we collected over one thousand ballots from the ballot boxes around campus, with entries from 271 students – that’s over ten percent of Smith's student body trying to win their own exhibition!
Jessica Nicoll, director of the Museum, came by the Cunningham Centerthis past Monday to pick our six winners and two alternates.
So, without further ado, this year’s Student Picks winners are ...
November 1, 2013 – Amelia Yeoh Jia Min ‘17
December 6, 2013 – Meredith Shanoski ‘16
February 7, 2014 – Kenny Clarke ‘17
March 7, 2014 – Khadejeh Al-Rijleh ‘16
April 4, 2014 – Marion Gajonera ‘14
October 3, 2014 - Lingxuan Li ‘17
Congratulations to the 2013-14 winners, and keep tuned for their upcoming exhibitions!
Speaking of Student Picks news, the first student exhibition of the year is fast approaching. Mina Zahin ’15 will present her show “Praying in a Lucid Dream” from 1-4PM on October 11 (the same day as this month’s free Second Friday)Her show will delve into psychedelic art, mystic understanding and the posters of Peter Max.