Now everyone is an insider!
In order to provide an open forum for ALL of the museum’s collection and activities, the Paper + People blog is being renamed SCMA Insider. With its expanded focus, SCMA Insider will act as a go-to place for sharing information on the diverse collections and many voices and visions that shape SCMA.
If you want to contribute to the blog, please contact the Brown Post-Baccalaureate Curatorial Fellow, Shanice Bailey, at email@example.com.
Thursday, September 26, 2013
The Student Picks Sweepstakesended last Friday, and we’ve found our six winners!
Student Picks gives students the chance to curate their own one-day exhibitions of works on paper in the Cunningham Center for Prints, Drawings and Photographs.Six lucky students are chosen by lottery as part of a campus-wide sweepstakes that takes place each September.
This year, we collected over one thousand ballots from the ballot boxes around campus, with entries from 271 students – that’s over ten percent of Smith's student body trying to win their own exhibition!
Jessica Nicoll, director of the Museum, came by the Cunningham Centerthis past Monday to pick our six winners and two alternates.
So, without further ado, this year’s Student Picks winners are ...
November 1, 2013 – Amelia Yeoh Jia Min ‘17
December 6, 2013 – Meredith Shanoski ‘16
February 7, 2014 – Kenny Clarke ‘17
March 7, 2014 – Khadejeh Al-Rijleh ‘16
April 4, 2014 – Marion Gajonera ‘14
October 3, 2014 - Lingxuan Li ‘17
Congratulations to the 2013-14 winners, and keep tuned for their upcoming exhibitions!
Speaking of Student Picks news, the first student exhibition of the year is fast approaching. Mina Zahin ’15 will present her show “Praying in a Lucid Dream” from 1-4PM on October 11 (the same day as this month’s free Second Friday)Her show will delve into psychedelic art, mystic understanding and the posters of Peter Max.
Thursday, September 19, 2013
The Student Picks Sweepstakes ends tomorrow, September 20, and soon six students will win the chance to curate their own exhibitions in the Cunningham Center for the Study of Prints, Drawings and Photographs. To celebrate the new year of student exhibitions, we’re highlighting pictures and blog posts from past Student Picks shows.
If you could get your hands on the art at the Museum, what would you do? For the past six years, Smith students have answered this question with one-day art exhibitions, through the Student Picks exhibition program. Each month, one student curator has the opportunity to organize an exhibition in the Cunningham Center for the Study of Prints, Drawings and Photographs,using art that intrigues, excites and inspires her.
Visitors check out last year's show Between the Lines: Image and Prose in the 20th Century Avant-Garde,curated by Leah Santorine SC '13. Photography by Julie Warchol.
A visitor looks closely at art from Between the Lines.Photography by Julie Warchol.
Students from all majors and departments have become curators through Student Picks. Some have years of art history classes under their belts, while others have never set foot in a museum before. What all our student curators share is enthusiasm and a fresh perspective on the collection of over 13,000 works on paper in the Cunningham Center for the Study of Prints, Drawings and Photographs.
Amanda Garcia SC '16 focused on French fashion in her show, From Tissot to Toulouse-Lautrec - Fashion Focus in 19th-century French Art.Photography by Julie Warchol.
As Lori E. Harris SC AC '11, who curated the show Women, Woodblock Prints and Words,put it: “Student Picks is a unique and progressive concept. I would argue that it is one of the few programs on campus that brings together students from every discipline and gives them an opportunity to integrate their academic interest with art.”
Suzu Sakai ’16 displayed her own handmade miniature kimonos alongside Japanese prints in her show Beauty by Design - The Art of Japanese Kimono.Photography by Julie Warchol.
Japanese prints featuring kimonos from Beauty By Design.Photography by Julie Warchol.
The lottery for Student Picks ends tomorrow, September 20. If you want to be one of the six student curators this year, it’s your last chance to enter your name in the ballot boxes found in Neilson Library, Young Library, Hillyer Library, the Museum Lobby and the lower level of the Campus Center.
Thursday, September 12, 2013
Guest blogger Kate Kearns is the Collections Management Imaging Project Coordinator for the recently finished digitization project at the Smith College Museum of Art.
The Smith College Museum of Art has just completed a two-year digitization project, funded by a grant from the Institute of Museum and Library Services. The ultimate goal of the project was to create a comprehensive and accessible digital image archive of the museum's collection. This entailed professionally photographing each work of art, color correcting each image, and creating an archival master file as well as access files. The images are made available for academic use to the Smith College community via the college's LUNA image database, and are also made available to scholars and the general public beyond Smith through ARTstor and the Five College Consortium's online collections portal.
Every six weeks or throught the course of the project, photographers Stephen Petegorsky and Jim Gipe would set up shop in the Museum's collection storage area, where they photographed a few hundred works of art over the course of a five-day session. As Project Coordinator, my role was to compile a list of works to be photographed, gather the pieces in advance of each session, and keep everything running smoothly while the photographers were on site. When we needed to photograph works of art that are particularly fragile or unwieldy, or that had to be unframed, our installation team of Stephanie Sullivan and Bill Myers stepped in to help.
With digitization of painting and sculpture completed, we took over the Cunningham Center for our final photography session in June so that we could photograph drawings, prints, and photographs that are stored framed. Most of SCMA’s works on paper are stored unframed in archival boxes, and generally they are among the easiest objects to digitize. However nearly 200 pieces on our photography list were framed, and many of these are particularly fragile and/or oversized. This made them considerably more challenging to digitize. Wherever possible we try to unframe works of art for photography, so that we can get a clear, unobstructed view of the entire sheet or canvas.
Unframing and then reframing works on paper is an incredibly time consuming process, and must be done with great care to avoid damaging the artwork. Stephanie and I spent many hours in the weeks leading up to the photography session reviewing our list, examining each piece, trying to anticipate where we might run into trouble. In some cases, with particularly large and fragile pieces, we decided that it was simply too risky to try to unframe them. This meant having to photograph the pieces through Plexiglas, which can be pretty tricky, but Stephen and Jim were up to the task.
The usually quiet and peaceful Cunningham Center was upended for the better part of two weeks, as photography equipment was wheeled in and frames were laid out on every available surface. I have a feeling the Cunningham Center staff didn't quite realize what they were getting into when they agreed to let us take over their space. However they did enjoy the chance to see some of the pieces outside of their frames for the first time, and we managed to unearth a few things that they’d never seen before. With over 16,000 works on paper in the collection, only a tiny fraction can ever be on view at any given time. Making digital images of these pieces available will go a long way toward making the collection more accessible, and I wouldn't be surprised if we see some of these long-hidden treasures making an appearance in the galleries some time soon!
For another peek into what past digitization efforts have revealed, read photographer Jim Gipe's blog post about the Salvador Dali playing cardsthat he found deep in storage.