Monday, October 28, 2013

Student Picks: Human Connections - Manifestations of the Mundane

Student Picks is a SCMA program in which Smith students organize their own one-day art show using our collection of works on paper. This month’s student curator and guest blogger Amelia Yeoh Jia Min '17 discusses her show “Human Connections: Manifestations of the Mundane” which will be on view TOMORROW, Friday, November 1 from 12-4 PM in the Cunningham Center for the Study of Prints, Drawings, and Photographs. We hope to see you here!

Meridel Rubenstein, American (1948 – ). Peggy Martinez, Santa Cruz, '64 Chevy Two-Tone from The Lowriders: Portraits from New Mexico, 1980. Ektacolor 74 print debossed on T. H. Saunders 100 per cent rag paper. Purchased with the Madeleine H. Russell, class of 1937, Fund. Photography by Petegorsky/Gipe. SC 2005:1-6.

This exhibition brings our ordinary lifestyles into the limelight. I was inspired at the impact mundane images had on human perception. How we perceive things differs from each individual and I wanted to recreate that experience by playing around with color, geometry and space in each image. These bring a sense of ambiguity and a unique experience for the viewer. The simplicity of the mundane is deceptive, beautiful, painful and all the things you perceive it to be.

Jerome Liebling, American (1924 – 2011). Printed by Ned Gray. Sunday Morning, Monessen, Pennsylvania, 1984. C-Print. Purchased. Photography by Petegorsky/Gipe. SC 1988:22-1.

These series of images is a journey of exploring human connections through the mundane. I chose to display photographs because I wanted to capture real moments in time. Through the window of reality, one gets a true sense of human connections developed through different perspectives of the characters and the photographer.

Lorna Simpson, American (1961 – ). stopped speaking to each other from Details, 1996. Photogravure with silkscreen text on Somerset 300 lb. paper. Purchased with the Elizabeth Halsey Dock, class of 1933, Fund and the Carol Ramsey Chandler Fund. Photography by Petegorsky/Gipe. SC 2012:6-8.

As I spent my time in New York City during fall break, I was inspired to feature Lorna Simpsons works. Her cropped-out style photographs reveal a sense of intimacy while also obscuring the characters’ historical, cultural and gender backgrounds. The themes manifested through these personal lives were perhaps issues that were central to Simpson's experiences growing up in New York City. She evokes this calming sense of mystery that contrasts with the hustle and bustle of the city life. As Simpson uses an intimate approach, other works also challenge conventional thought and perception through color and geometry. Interestingly enough Martin Parr achieves this same goal by using humor.

Martin Parr, English (1952 - ). New Brighton, Merseyside from The Last Resort, ca. 1983 - 1986 (printed 2005). Photogravure with silkscreen text on Somerset 300 lb. paper. Purchased with the Josephine A. Stein, class of 1927, Fund in honor of the class of 1927. Photography by Petegorsky/Gipe. SC 2006:7.


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