museums concentration
Fiscal Year ’24
Sena Amuzu ’24
Kaia Austin ’26
Eleyna Bayer ’26
Lili Dowell ’24
Kay Horak ’24
Paige Hume ’24
Maggie Janowicz ’24
Nikte Lopez-Aleshire ’26
Lily Mintz ’26
Cloud Osmond ’24
Katie Rebhun ’24
Elizabeth Sacktor ’24
Alexa Sanchez Valeriano ’25
Z Stevens ’25J
Josie Wong ’26
Jada Wordlaw ’26
Rochelle Worth ’26
Kaia Austin ’26
Eleyna Bayer ’26
Audrey Bloom ’25
Cece Coleman ’25
Chlo Droumenq ’25
Madigan Dwyer ’26
Ainsley Imparato ’26
Charlotte Kaczmarek ’25
Sophia Kiang ’25
Elizabeth Kidder ’25
Elena Korinek ‘25
Nikte Lopez-Aleshire ‘26
Ella McDaniel ’25
Lily Mintz ‘26
Annabel Morley ’25
Hanlan Paquin ’26
Olivia Sarno ’25
Simone Tricca ’25
Emelie Villanueva ’26
Minha Virk ’25
Lilly Watson ’25
Eva Weigand-Whittier ’25
Audrey Willius ’25
Josie Wong ’26
Jada Wordlaw ’26
Rochelle Worth ’26
Vicky Xu ’26
Sena Amuzu ’24
Sen(a)tenses: Mapping Black Feminist Curatorial Musings
Lili Dowell ’24
Unraveling Greece: The Intersection of Contemporary Art and Clothing
Kay Horak ’24
Uncovering SCMA’s Komainu: Behind the Scenes of Technical Art Analysis
Paige Hume ’24
The Untold History of Historic Deerfield
Maggie Janowicz ’24
Embracing Art: A Guide for Skeptics and Non-Believers
Cloud Osmond ’24
Museum Gayme
Katie Rebhun ’24
The Shape of Time
Elizabeth Sacktor ’24
Exploring Death and Grief in History
Z Stevens ’25J
The Evolution of the Native American Graves Protection and Repatriation Act
Fiscal Year ’25
Kaia Austin ’26
Eleyna Bayer ’26
Audrey Bloom ’25
Franny Brady ’27
Cece Coleman ’25
Ignatz DeCourcey ’26
Thea DeSchepper ’27
Chlo Droumenq ’25
Madigan Dwyer ’26
Claire Enerson ’27
Eliza Hendrick ’27
Ainsley Imparato ’26
Charlotte Kaczmarek ’25
Sophia Kiang ’25
Elizabeth Kidder ’25
Elena Korinek ’25
Nikte Lopez-Aleshire ’26
Stella Maze ’27
Ella McDaniel ’25
Lily Mintz ’26
Annabel Morley ’25
Hanlan Paquin ’27
Gabrielle Possible ’27
Olivia Sarno ’25
Maeve Stanford ’27
Julia Sumpter ’27
Simone Tricca ’25
Emelie Villanueva ’27
Lilly Watson ’25
Eva Weigand-Whittier ‘25
Audrey Willius ’25
Josie Wong ’26
Jada Wordlaw ’26
Rochelle Worth ’26
Audrey Bloom ’25
Using Artwork in Classroom Writing Lessons
Cece Coleman ’25
Coming into Compliance: How to Navigate NAGPRA
Chlo Droumenq ’25
Contextualizing Smith’s Rock and Mineral Collections
Charlotte Kaczmarek ’25
Decolonial Practices in Museums Today
Sophia Kiang ’25
On Contemporary Art: Find Your Niche
Elizabeth Kidder ’25
Materiality of Art: Bronze Disease
Elena Korinek ’25
Museum Public Programming and Building Community
Ella McDaniel ’25
The Trauma-informed New England History Museum
Annabel Morley ’25
Interactive Creative Exhibitions
Olivia Sarno ’25
Communication, Connection, Commitment: Multilingualism in U.S. Museums
Simone Tricca ’25
STEM in the History Museum
Lilly Watson ’25
Interpreting Controversial Art
Eva Weigand-Whittier ’25
Audio Guides and the Voice of the Artist
Audrey Willius ’25
Changing Museum Education in Response to the Pandemic
top: Educator for Academic Programs Charlene Shang Miller working with MUX 222 Art Museums as Institutions of Human Flourishing class in third floor Worlds in Process gallery. Photo by Jessica Nicoll