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Clarissa Tossin video still: Ch’u Mayaa, 2017

Clarissa Tossin: Ch’u Mayaa

October 11, 2019–January 5, 2020

Clarissa Tossin’s Ch’u Mayaa questions the forms of cultural appropriation in modernist architecture. Tossin focuses on Mayan Revival style as it manifested in Los Angeles during the early 20th century and sets the work in the Hollyhock House (built 1919–1921), a private home in Los Angeles designed by Frank Lloyd Wright. Working with the choreographer and performer Crystal Sepúlveda, Tossin based Ch’u Mayaa’s choreography and movements on the gestures and poses represented in Mayan ceramics and murals. 

Two Buddhas, Tōyō and Max

Buddhas | Buddhisms: Across and Beyond Asia

September 27, 2019–June 21, 2020

This exhibition presents Buddhist objects and Buddhist-inspired artworks, from across and beyond Asia, in their many and varied styles and expressions. The concept of “Asia,” which was invented by ancient Greeks and Romans and perpetuated by European geographers, misrepresents diverse groups of people and their divergent civilizations by suggesting they form a cohesive whole. Buddhism, however, is one of the few cultural traditions that has connected distinctive Asian populations over time. 

Fragile Earth Gelatin print by Tom Young

Fragile Earth

July 19–November 10, 2019

The impact of human action on the earth has increased dramatically in the past 50 years. This installation, organized to coincide with Smith College’s Year on Climate Change, features a selection of works from the SCMA collection created between the early 1970s and mid-2000s that focus on the intersection of human life and our environment. 

Alma Thomas, American, 1891–1978. Morning in the Bowl of Night, 1973. Acrylic on canvas.

Alma Thomas: The Light of the Whole Universe

July 27, 2018–December 1, 2019
This gallery installation centers on a recent SCMA acquisition, Alma Thomas' 1973 painting Morning in the Bowl of Night, and features artworks from the permanent collection that are largely from the 1950s, 1960s and 1970s.
Ci Wara Mother and Child

Object Histories: From the African Continent to the SCMA Galleries

August 2018–June 2020

This special installation, from SCMA's collection, traces the unique histories of over 20 of the Museum’s most important works of African art. New research has connected artists with objects that were previously unattributed, while the roles of collectors and donors are examined in conjunction with the objects’ own cultural histories and meanings.

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