One intriguing aspect of The Gladys Engel Lang and Kurt Lang Collection is that half of the artists represented in it are women. Some, such as Gabrielle de Veaux Clements, left traces of their legacy in the public sphere and are widely renowned.

By using hanji paper, elements of contemporary Asian pop culture, and Western art techniques, Moon’s pieces become a blend of East and West, reflecting her own background.

Hello! I’m Colleen McDermott, and starting this week I’m taking over as the new Brown Post-Baccalaureate Curatorial Fellow.

Every afternoon for three weeks, sixteen enthusiastic 4th-6th graders come to the Museum to connect with art. Our students spend time in the galleries, investigate artists in the museum’s collection, and go behind-the-scenes with museum staff.

We’re pleased to be joined this summer by Nicole Viglini, '04J, who will be working in the Cunningham Center this summer as the IFPDA Intern.

Hiromitsu’s beautifully vibrant and slightly playful prints are a modern take on ukiyo-e, a type of Japanese woodblock printing developed during the country’s Edo period.

Over the course of his life, Paul Landacre became a master of wood engraving, and a standard for those exploring this printmaking medium.

An integration of Persian and Indian influences, 'Buzkashi' by Saira Wasim resonates with early Mughal ruler portraits and painting traditions.

his month’s student curator and guest blogger Niyati Dave '15 discusses her show “Camera Exotica: Clichés, Counter-Narratives and Cultural Clashes” which will be on view FRIDAY, April 3 from 12-4 PM in the Cunningham Center.

Qureshi’s choice to represent the male figure as a basic outline and the female figure in detail calls into question traditional gender roles in Mughal painting, a field typically dominated by men.