We’re pleased to be joined this summer by Nicole Viglini, '04J, who will be working in the Cunningham Center this summer as the IFPDA Intern.

Hiromitsu’s beautifully vibrant and slightly playful prints are a modern take on ukiyo-e, a type of Japanese woodblock printing developed during the country’s Edo period.

Over the course of his life, Paul Landacre became a master of wood engraving, and a standard for those exploring this printmaking medium.

An integration of Persian and Indian influences, 'Buzkashi' by Saira Wasim resonates with early Mughal ruler portraits and painting traditions.

his month’s student curator and guest blogger Niyati Dave '15 discusses her show “Camera Exotica: Clichés, Counter-Narratives and Cultural Clashes” which will be on view FRIDAY, April 3 from 12-4 PM in the Cunningham Center.

Qureshi’s choice to represent the male figure as a basic outline and the female figure in detail calls into question traditional gender roles in Mughal painting, a field typically dominated by men.

The fun in creating this exhibition was largely in the diversity of interpretations that we can apply to collage. Across medium and aesthetic mood, these works on paper evoke stories and senses through layers, both visual and material.

Moore’s illustrations of Prometheus underscore the mythical character’s nobility and courage, rather than his suffering; he is not the tortured hero chained against the rock, but the strong hero.

December 11 is David Becker Day, presenting the perfect occasion to interact deeply with a work of art and particularly a work of art that speaks deeply to your personal values or beliefs.

Six students who enrolled in the colloquium, French and Italian Drawings: Renaissance through Romanticism, developed an installation of French and Italian Drawings from the SCMA collection. Students wrote their own wall labels for the installation, a selection of which are shown below.