Gripping a paintbrush in one hand and the Empire State in the other, the woman dominates a space synonymous with male-centric corporations and class inequality.
During the late 1990s, González-Palma created photographic collages illuminating the grief of indigenous peoples by utilizing symbols of loss, trauma, fear, and violence in contrast with beauty and human fragility.
Czech photographer Michal Mackü created Untitled #14 using an unusual technique called gellage —a fusion of the words gelatin and collage— which he invented and perfected during the late 1980s and ‘90s.
Although this image seems simple at first--an amateur drawing of a lion in a cage next to cut out photographs of two bored looking girls-- J.F. has used symbolic elements of Victorian culture to infuse it with meaning.