The French academic painter Jean-Léon Gérôme is known for his hyper illusionistic style, which he used to create detailed paintings of life and culture in the newly discovered East during the nineteenth century.
Qureshi’s choice to represent the male figure as a basic outline and the female figure in detail calls into question traditional gender roles in Mughal painting, a field typically dominated by men.
The French photographer Hippolyte Arnoux, who documented the construction of the Suez Canal in Egypt, is also known for his ‘ethnographic portraits’ of women often representing fake sultanas.
Ghada Amer and Reza Farkhondeh, artists of the Middle Eastern diaspora, create collaborative works that highlight the female figure through use of embroidery, paint and stenciling.