Grace Ettinger '22 examines how celebrities and the fashion world interact with queer art. She is currently a Student Assistant at the Cunningham Center for Works on Paper within the SCMA.
Local teachers from the Mill River educator network gathered at the museum in March for a curator's walkthrough of the Maya Lin: Mappings exhibition. The event was organized by Gina Hall, Educator for School and Family Programs and Carol Berner, Lecturer, Department of Education and Child Study.
Space limited, register early! Full—waitlist only. Register here
In this post, Brooklyn Quallen '25 discusses a painting from Marlene McCarty's Crash and Burn series. Brooklyn is a STRIDE scholar currently working with Emma Chubb, Charlotte Feng Ford ’83 Curator of Contemporary Art.
“WON’T SMELL WHEN ABUSED.” “IF IT’S GOT TITS OR WHEELS IT’S GONNA GIVE YOU PROBLEMS.” “BEND OVER, I’LL DRIVE.”
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Spend your lunch break with SCMA students to hear what they have been working on during these unprecedented times.
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Reconnect with the museum and enjoy a private tour of the exhibition Maya Lin: Mappings with SCMA's Aprile Gallant, associate director of curatorial affairs and senior curator of prints, drawings, and photographs.
Teachers must show proof of vaccination or a Smith One-Card. Masks are required for entry.
Spend your lunch break with SCMA students to hear what they have been working on during these unprecedented times.
Ariella Heise '22 shares her experience at the Cunningham Center inspired by the artwork of Trenton Doyle Hancock.
During the 1980s, Sheila Pepe worked at SCMA in multiple roles, beginning as a gallery guard before working as a preparator’s assistant and a curatorial and administrative intern. In 2008, she returned to SCMA, to make Red Hook at Bedford Terrace. For Pepe, Red Hook at Bedford Terrace is a celebration of intersections and connectivity, of places, people, and their labor.