SCMAinsider offers dynamic perspectives on the diverse collections and visions that shape the
Smith College Museum of Art.
We welcome contributions from all members of our community and seek to cultivate a range of
voices and experiences. If you want to contribute to the blog, please contact Shanice Bailey,
Conway Post-Baccalaureate Curatorial Fellow, at email@example.com.
This is the final Q&A post for Defiant Vision: Prints & Poetry by Munio Makuuchi before it closes exhibition closes on Sunday, December 8. Be sure to check it out if you haven’t already had the chance!
In this series, Aprile Gallant, Senior Curator of Prints, Drawings, and Photographs responds to visitor questions from the exhibition’s comment book. Accompanying images are in the slideshow above.
Staying Inside is a series on SCMAinsider, the museum’s blog, that regularly features contributions from SCMA staff and students about what we are into right now, be it a book, a work of art, a song, a podcast, a recipe, a way to get outside, a performance; anything, really, that we are holding close or that brings us comfort and connection right now. Today's post is from Aprile Gallant, Senior Curator of Prints, Drawings, and Photographs and Associate Director of Curatorial Affairs.
Question: Why are there mostly naked girls [in the images] and why are there not that many boys?
Answer: That’s a good question!
Henriette Kets de Vries is the Cunningham Center Manager and Assistant Curator of Prints, Drawings and Photographs at the SCMA. She worked closely with Kurt Lang and featured works from his collection in the exhibition No Man's Land: Prints from the Front Lines of WWI.
Guest blogger Sandy Lillydahl '69 was Taj Diffenbaugh Worley's senior year roommate and fellow religion major at Smith. She retired from curating the Map Collection in the library of the University of Massachusetts, Amherst, in 2016.