SCMAinsider
SCMAinsider offers dynamic perspectives on the diverse collections and visions that shape the
Smith College Museum of Art.
We welcome contributions from all members of our community and seek to cultivate a range of
voices and experiences. If you want to contribute to the blog, please contact us at scmacuratorial@smith.edu.
January at SCMA: Museums and Meditation at MacLeish
Anna Ziegler is a senior Art History major and works at the Cunningham Center at SCMA.
Robetta’s Adoration of the Magi
The Adoration of the Magi was a popular subject for Italian artists because it allowed the artist to showcase their ability to create an elaborate composition filled with animals, sumptuously clothed figures, and often a vast landscape.
Death in Art
In times of war, famine, or disease, when death was personal, undiscriminating, and close, visual representations of death in many forms were more commonplace.
The Destruction of Lower Manhattan
Danny Lyon took to the streets with his large format camera to document the buildings in their final days.
Picasso and the Minotaur
In this work, Greek mythology collides with Picasso’s own personal mythology of artistic creation.
Observations From Deep Storage: The Art of Surprise
As I lifted the lid, my first thought was “WOW”, followed by “Oh my!”
TASS Window #850
In 1941 a group of Soviet writers and artists founded the TASS News Agency to create large-scale war-themed propaganda posters called “TASS Windows.”
Rembrandt's The Three Crosses
Rembrandt’s marvelous drypoint print The Three Crosses exists in five states.
Shared Inspiration: About the Collectors
Learn more about the collectors behind the exhibition "Shared Inspiration: The David R. and Muriel Kohn Pokross Collection."
Shared Inspiration
Comprised of paintings, drawings and prints by major artists of the post-World War II period, The Pokross Collection is a marvelous and exciting addition to SCMA’s collection.
The Open Door
This photograph, "The Open Door," is the oldest in our collection.
The Last Silent Movie
Language death like that of Ubykh is the focus of Susan Hiller’s "The Last Silent Movie."
At the Museum with Mary Cassatt
Degas’ dynamic portraits of Mary Cassatt at the Louvre express the admiration he felt for her.