
Register here. Or join Facebook Live
Spend your lunch break with SCMA students to hear what they have been working on during these unprecedented times.
Register here. Or join Facebook Live
Spend your lunch break with SCMA students to hear what they have been working on during these unprecedented times.
RSVP required. Register here.
Reconnect with the museum and enjoy a private tour of the exhibition Maya Lin: Mappings with SCMA's Aprile Gallant, associate director of curatorial affairs and senior curator of prints, drawings, and photographs.
Teachers must show proof of vaccination or a Smith One-Card. Masks are required for entry.
Spend your lunch break with SCMA students to hear what they have been working on during these unprecedented times.
Ariella Heise '22 shares her experience at the Cunningham Center inspired by the artwork of Trenton Doyle Hancock.
During the 1980s, Sheila Pepe worked at SCMA in multiple roles, beginning as a gallery guard before working as a preparator’s assistant and a curatorial and administrative intern. In 2008, she returned to SCMA, to make Red Hook at Bedford Terrace. For Pepe, Red Hook at Bedford Terrace is a celebration of intersections and connectivity, of places, people, and their labor.
In this post, Brooklyn Quallen '25 discusses her research of Mohan Samant's Three Queens. Brooklyn is a STRIDE scholar currently working with Emma Chubb, Charlotte Feng Ford ’83 Curator of Contemporary Art.
Amanda Shubert was the 2010-2012 Brown Post-Baccalaureate Curatorial Fellow at SCMA. This article was originally published in the summer of 2012.
Online/Virtual Program
SCMA members are invited to hear an overview of the Maya Lin: Mappings exhibition and to vote on three works they would like to learn more about. Live Q&A in the gallery to follow.
This program will feature Aprile Gallant, Associate Director of Curatorial Affairs and Senior Curator of Prints, Drawings, and Photographs, Smith College Museum of Art.
Meredith Diamond '23, a computer science major and Cunningham Center student assistant, explores her experience of visiting the SCMA with her parents. She meditates on her own experience with two specific paintings her parents enjoyed.
In a recent J-term course inspired by a forthcoming exhibition at SCMA, Smith students learned about historic painted wood sculpture and tried their hand at painting on wood using traditional materials and techniques. Danielle Carrabino, curator of painting and sculpture, shares her experience teaching this class.