Isaac Julien—Lessons of the Hour
Free and open to all.
Online via Zoom. Register Here to receive the webinar link.
Please note that this lecture will be live and accessible via Zoom only; it will not be possible to watch it at a later time.
Individuals enrolled in the Smith College testing program are invited to a watch party in the Campus Center Carroll Room. Lunch will be provided. Doors open at noon.
Grace Ettinger '22 is a student assistant at SCMA's Cunningham Study Center. In this blog post, she explores the complicated colonial legacy of the 1851 World's Fair in London using a print by the Dickinson Brothers from the collection.
Sophie Poux conducted an interview with Chris Sekaer, daughter of the photographer Peter Sekaer (1901- 1950) regarding her fathers legacy. Sophie was a student assistant in the Cunningham Study Center during the 2018-2019 and 2020-2021 academic years. She graduated from Smith with a BA in Government in May 2021.
SCMA members are invited to attend a private tour of the special exhibition, Maya Lin: Mappings, led by Aprile Gallant, Associate Director of Curatorial Affairs and Senior Curator of Prints, Drawings, and Photographs, Smith College Museum of Art.
Yao Wu, Jane Chace Carroll Curator of Asian Art, introduces new acquisitions of Asian American artist Ching Ho Cheng that are currently featured in SCMA Then\Now\Next.
The gift of 142 drawings from the bequest of Carol O. Selle, class of 1954, has transformed SCMA's already outstanding drawing collection. Highlights from this momentous gift will be the subject of a series of posts featured on SCMA Insider. This post, by Aprile Gallant, senior curator of prints, drawings, and photographs, focuses on a drawing by Alfred Leslie.
Today’s post is by Mosa Molapo ‘22, a double major in Art History and African Studies, who is the
2021-2022 Kennedy Museum Research Fellow in Art History at SCMA.
As part of my work at SCMA this year I am researching and documenting the Baio collection. The collection, donated by Joe Baio and Anne Griffin (class of 1983), includes 100 photographs taken by majority women artists from across the world, (primarily the United States and Europe).
